Biography
With DOPPLeR, ZN Production opens its doors to a musical universe that was not previously its specialty, namely rock ‘n’ roll and noise in particular. But ZN Production proves once again that its catalog, like the ZN team, is open to many things and many types of musical aesthetics in particular. As long as the projects are of high quality and involve wonderful encounters and human adventures, which is undoubtedly the case with DOPPLeR.
DOPPLeR, an absolutely legendary and indispensable band on the French NOISE, returns after 15 years of “discographic silence” with the album “Pourquoi ce disque?”. (Album available exclusively below via private link)
DOPPLeR's music is part of the French noise/math-rock/post-hardcore tradition of the 2000s, with tense, dry, angular compositions. Their sound is based on a massive, distorted bass, often in repetitive patterns, a sharp guitar with sharp attacks and abrasive saturation, and very physical drums, marked by sudden breaks, asymmetrical measures, and pressure builds typical of the genre.
DOPPLeR, an absolutely legendary and indispensable band on the French NOISE, returns after 15 years of “discographic silence” with the album “Pourquoi ce disque?”. (Album available exclusively below via private link)
DOPPLeR's music is part of the French noise/math-rock/post-hardcore tradition of the 2000s, with tense, dry, angular compositions. Their sound is based on a massive, distorted bass, often in repetitive patterns, a sharp guitar with sharp attacks and abrasive saturation, and very physical drums, marked by sudden breaks, asymmetrical measures, and pressure builds typical of the genre.
DOPPLeR's music follows in the tradition of French noise/math rock/post-hardcore from the 2000s, with tense, dry, angular compositions. Their sound is based on a massive, distorted bass, often in repetitive patterns, a sharp guitar with sharp attacks and abrasive saturation, and very physical drums, marked by sudden breaks, asymmetrical measures, and pressure builds typical of the genre.
No decorative arrangements, no superfluous effects: DOPPLeR works with raw sound material, similar to what Unsane, Shellac, The Young Gods, or certain bands from the Skin Graft/Touch & Go stable might offer. The vocals—spoken, chanted, shouted—emerge at times, like an extra layer of tension.
In concert, the band develops a dense, direct, and precise sound, without uncontrolled excess: a clean, constructed rhythmic wall, supported by the band's historic front-of-house work (sound engineered by La Fraise) and lighting designed for impact. You don't come here for contemplation: you come here to experience music that hits, pushes, shakes, and stays in your body long after the concert is over.
No decorative arrangements, no superfluous effects: DOPPLeR works with raw sound material, similar to what Unsane, Shellac, The Young Gods, or certain bands from the Skin Graft/Touch & Go stable might offer. The vocals—spoken, chanted, shouted—emerge at times, like an extra layer of tension.
In concert, the band develops a dense, direct, and precise sound, without uncontrolled excess: a clean, constructed rhythmic wall, supported by the band's historic front-of-house work (sound engineered by La Fraise) and lighting designed for impact. You don't come here for contemplation: you come here to experience music that hits, pushes, shakes, and stays in your body long after the concert is over.
Infos / booking : anto@znproduction.com
Discography
Vidéos
Upcoming concerts
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